Oct 21 2017

Astrographic Glass Plate Project

Sydney Observatory Glass Plates

In 1887 Sydney Observatory joined 19 other observatories from around the world to map the stars. This was an extraordinary project established by the Astrographic Congress in Paris to map the stars using the newly developed dry plate photographic process.

Sydney Observatory created over 22,000 glass plate negatives of the stars during this project.

In 2012, these 22,000 glass plate negatives were in need of preservation.

The plates, in 2012, were housed in the library of the Macquarie University, they had been with the University since 1982 and were used for scientific research. However in the more recent past they had been left unattended and disused.

The move

Early in 2013, Preservation Australia was engaged to assist with the transport and rehousing of the astrographic collection from the University to the Powerhouse Museum (now MAAS). Tegan Anthes worked with PowerHouse Museum staff and Australian Disaster Recovery (ADR) to undertake this project. Tegan was responsible for the safety, handling, packing and specifications of the transport and ADR provided the people, transport and equipment.

Due to imminent building works in the University library, the packing and transport had to occur without a thorough understanding of the condition of the collection. We were very concerned about moving this collection prior to conducting a thorough condition survey of the glass plates. The risks associated with the movement of the collection prior to understanding the condition were –

  • Fragility of the plates was unknown – can they withstand some vibration, how inherently stable are they. How many are currently broken, cracked, what state is the emulsion in.
  • Fragility of the boxes containing the glass plates – would they be strong enough to support the weight of the glass plates during transport. Multiple types of boxes with multiple areas of concern.
  • The paper envelopes appeared brittle and were flaking at edges and therefore the handling that would be required for transportation may result in some loss of information.

Condition of plates

In addition the relocation of the collection was scheduled at the same time as a portion of the building was to be demolished. We raised concerns regarding dust, building vibration, airflow, access and security.

The relocation went ahead with some of the risks being reduced through our approach to packing and handling and some were reduced with rescheduling of building works by a few days and our team working on weekends.

The collection was stored in the ground floor of the old library at Macquarie University. The glass plates were in the back corner of a compactus. The glass plates were stacked tightly in the shelves to prevent them from falling over. The glass plates were either in card boxes, wooden boxes or loose on the shelf. In addition to the glass plate collection there was the document collection.

Remove from shelves

The technique devised for the transport of the collection was as follows:

  • Large plastic tubs were lined with scrunched paper
  • Each glass plate box was carefully removed from the shelf and gently laid on the bed of paper
  • Up to 15 boxes were positioned in the tub
  • ADR staff then wrapped each box with cellaire
  • Around the set of boxes more scrunched paper was tightly packed to reduce any movement and reduce vibration

Loose plates were wrapped in bundles first and then in cellaire.

Loose plates wrapped in cellaire

The Melbourne plates were housed in custom made wooden boxes, with slots to hold each plate. These wooden boxes were lined with cellaire under the lid ensuring that the plates were cushioned with the cellaire and no movements occurred. Cellaire was then wrapped around the wooden box before being placed into the plastic tub as above. Each Melbourne plate box was inspected for condition prior to transport to locate any broken or damaged plates.

An air ride truck provided the transport to the climate control facility. The plastic tubs were secured within the truck and limited to a single layer. This resulted in more than five trips to complete the move.

The plates were unpacked at the ADR warehouse into a climate controlled store. We were happy to discover that not one plate broke during the transport process.

The transport to ADR and subsequent storage at ADR was to ensure that the plates did not carry live mould and to clean the plates prior to their final resting place in the Powerhouse Museum Collection store.

The Cleaning and Rehousing

Tegan developed and supervised the cleaning and rehousing of 22,000 glass plate negatives. With the exception of the Melbourne plates, all glass plates were enclosed in a paper envelope. This envelope had vital information essential in identifying the position of the negative within the sky and in some cases named the stars. It was therefore beneficial to capture this information in a spreadsheet during the cleaning and rehousing process. The steps below outline our procedures.

  • Remove plate from box
  • Data capture from information on envelope
  • Brush clean on the down draft box – both plate and envelope
  • Rehouse into custom made polypropylene sleeves – double pocket sleeve

The polypropylene sleeve was three sheets of polypropylene welded on three sides, providing the double pocket from the top edge. This allowed the envelope to be retained with the glass plate but separated by a polypropylene sheet. This was chosen by the Powerhouse as the most appropriate storage solution.

Glass plates in polypropylene sleeve. One side is the glass plate and the other the original paper envelope.

The exceptions to this process were the damaged plates. There were some plates within the collection that were deteriorated. These plates were showing signs of glass deterioration, delamination and cracking of the plate. The conservation of these plates will be undertaken by the conservators at the Powerhouse Museum.

 

 

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Aug 20 2017

A Disaster Plan

Embarking on the onerous task of writing your organizations Disaster Preparedness Plan (DPP) can be daunting, overwhelming and often gets put into the “too hard basket”. Well, we successfully assisted a small council to write their DPP within a short time frame and limited budget – and now they are prepared and ready for when that leaky pipe wets documents or the AC malfunctions and they have a mould outbreak! Or any other incident that affects their collection.

So how did we assist and how long did it take?

As with all good plans we started with breaking down the process into manageable tasks. Our extensive experience with disaster training and planning we were able to quickly identify the areas that the client needed to focus on. We encouraged the client to include other staff in the process to both distribute the workload and to capture the varied levels of experiences and responsibilities within the organization.

As you can imagine each organization is different – with varied collections, storage areas, levels of staff, budgets and experience. This organization had several different sites to manage with collection on display and in storage at all sites. The collection included historical artefacts, books, photographs, archives and more modern materials, so a completely typical mixed collection. The staff were distributed across all sites and unsurprisingly were short on resources.

So with regular meetings and email communication we embarked upon the classic four areas of Disaster Preparedness

  • Prevent
    Prepare
    Respond
    Recover

Now without going into the nitty gritty we covered these areas in detail to produce the Disaster Preparadness Plan that was specific to this organization, collection and staff capabilities.

We finalized the project with a training session in the response and recovery phase. In this training session we applied the Response Plan that we had created together – to see if it was going to work – and it did!! Everyone was notified on the telephone tree and safety was first on everyone’s mind.

The training also included critical salvage techniques according to their collection materials. So we got our hands dirty salvaging wet documents, books and textiles. This is definitely the fun part of the disaster planning phase – we gather up materials from council clean up days and soak them with water. Then test out our salvage techniques to air dry, clean, wrap, interleave, blot, fan out, support or choose to send to conservation!

This project was undertaken over a period of 6 months. You might think that’s a long time but when you consider that the staff are obviously doing their normal day to day activities. And the DPP is having to squeeze in between.

Plus the difficulty in organizing meetings where all the relevant people can attend.

Plus we had to wait for a council clean up day!

The time it will take to write your disaster plan will vary on the size of your collection, whether you are working from an old plan or starting from scratch, what other policies and procedures you have in place, the level of input from other departments and a multitude of other parameters. But it is a worthwhile undertaking….

According to Robert Bergman, Director, Walters Art Gallery, Baltimore Maryland

One of the secret ingredients that will contribute toward your being able to sustain the energy and attention needed to devise one of these plans – and its is not glamorous work – is the understanding that, yes, the final report is significant, but the process is equally important. The remarkable things that one learns about the institution’s strengths, to some extent, but about its weaknesses, more so, are as valuable as the final plan.

So if you need some help writing or editing your DPP give us call.

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