Margaret Preston woodblock - after treatment
Oct 21 2017

Margaret Preston Woodblock

Condition

This beautiful object – an undated Margaret Preston woodblock – came into the studio recently in a very sorry state.  As with many paper-based artworks, it had suffered badly from being framed with acidic materials. It was fully adhered to an acidic backboard, and the window mat (also of acidic board) was fully adhered to the front of the woodblock around all the edges. The print was on a Chinese laid paper, with little fibre strength left.

Margaret Preston woodblock - after treatment

Margaret Preston woodblock – after treatment


The print was now badly discoloured, and had several severe ‘foxing’ spots. Foxing is the brownish, circular discolouration often seen in paper objects, and is a result of old mould growth. The paper was also very acidic (pH 4.5).

Treatment

The backing board and the window mat were carefully removed without disturbing the paper of the print. It was then ‘blotter washed’ with deionised water until no further discolouration (soluble acidity) was released. Following this, a last wash included an alkaline buffering solution to deal with any further acidity (insoluble) that may arise in the future. After consultation with the owner, the print was lined with a fine Japanese paper (Tengujo, 13 gsm) using wheat starch paste to provide more strength to the fragile paper.

The print was then framed to conservation standards by Sophie Brown Conservation Framing (http://www.conservationframing.com.au/) and the object returned to a clearly delighted client:

‘ I was amazed and delighted at the result of this conservation treatment – it has brought the work back to life. I feel like I have a new artwork to hang on my wall.’ Paul Isherwood, AO, 2016.

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Nov 20 2016

World War I Postcards: A Family History Project

Most families have stories from the past handed down from the oldest to the youngest, recalling the history of the family through major and minor events – sometimes tragic, sometimes funny.  Most families also have memorabilia of some sort, often connected directly to those stories. This physical material helps keep these stories alive and relevant, making them more meaningful and giving a ‘voice’ to the past generations.  

If a family wants to maintain its history, and keep those stories alive, it is important to preserve that material as best we can. As conservators working at Preservation Australia, we work with families in conserving their objects and advising them on how best to store and preserve their family history material.

A family of four siblings approached Preservation Australia to help them preserve their family history collection of 100 WWI postcards. These postcards were from their grandfather who had served at various posts overseas during the war.  His stories were inscribed on the back of the postcards, and unusually, many stories continued over several postcards. These four siblings all loved the postcards and the stories they told. The siblings are now dispersed around Australia and all wanted access to the postcards and to share the stories with the next generation. They were also concerned about how best to preserve and conserve this important family collection.

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